The SVP Digital Camera Review

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With the age of digital imaging, nearly every (shallow water) diver can be involved with underwater photography. This review is of a true beginner camera outfit. The Chinese made, SVP Acqua digital outfit includes the camera system and waterproof case for under $ 100. There are obvious limitations and we'll cover them in this review.

Don't expect professional results with this camera, but you'll be surprisingly pleased with the versatility this little compact outfit provides. With all the features you'd expect to find in popular brand ' point and shoot ' cameras, this compact system will easily fit into your BCD pocket. The specifications are listed after our review comments. Since the factory's marketing brochure suppliedthese, we cannot confirm or dispute them.

First of all, before using this room... view the enclosed DVD instruction manual provided with the camera. There are many features and settings that you'll need to know before you get out on the water to use your camera system. We've used many different brands and all seem to have some logical settings and some not-so-logical procedures. Like most ' point and shoot ' cameras, there is a delay between pushing the shutter and having the actual shutter operation. After you become familiar with the operation of the camera and the features you're ready for the underwater part.

Underwater Digital Camera

Like any housing, you need to keep the housing clean and free from sand or grit that could create a leak. Since themain seal is not really an o-ring, I was very careful to clean the surfaces with a cotton tip (Qtip) and apply some grease to o-ring the surface as well as a thin film on the seal itself. The seal is sort of a wedge shape, so it should provide a good positive pressure seal. The clean part is more for all the little control buttons that allow you to change settings of the camera underwater. We'll get into the best settings we found when using the camera underwater.

When they say the housing is good to 15 meters or 33 feet around, they are not lying. Not that we were trying to flood the housing or anything, but at 60 feet the room is not operational because the pressure is squeezing the controls and the camera shuts off. At 40 feet,you might get the camera to work, but don't count on changing the settings. At 35 feet, the camera seems to work fine with all the features and operational. For many divers, this will be too limiting because most of your dives will be deeper than 35 feet. However, keep in mind that the red/yellow/orange end of the spectrum is filtered out beyond this depth too.

The camera and housing combination are well matched and easy to operate. With the clear plastic housing, you can easily see the settings on the camera. Like most digital displays certain angles are more difficult to see, but with the proper shading and angle everything is visible on the 2 inch screen. Even though you can change the lens focal length from wide angle to zoom, wekept the setting on wide angle for the dives during the whole process because of the water. Keep this in mind for all underwater photography; stay close to your subject and use the widest angle possible for better results.

For the still shots, the camera was set for the strobe to fire with each shot. This uses up your batteries faster, but if the subject is closer than 8 feet, you'll have better imaging and color. The best results were our macro shots where we set the camera for ' close-up ' and used the flash. When using the movie mode, you'll be impressed with the sharpness of the images, but don't expect high quality audio. The housing must absorb a lot of the sound as much of the underwater sound is muted. More than likely, you'll edit with somemusical background anyway.

The color balance was a little off. We did change the settings according to the instructions and the results were that the color balance was a little on the blue side for topside shots. This was not an issue for the underwater shots as the blue tint of the water was eliminated. Most of the color balance issues can be handled in the editing phase.

The claim of being 12.0 mega pixels is a little deceiving because this is the hardware interpolation ' not the ' image resolution ' which is 5.0 mega pixels. All in all, we were not disappointed in the quality results of the better pictures. However, some of the shots showed the room shake even with the built in flash. This means that the shutter does adjust for the amount of light, so it'simportant to squeeze the cameral and hold it as still as possible.

We used an 8 GB SD card because we expected to take a lot of video and had ample memory space for two dives. We didn't use the provided USB cable because we use a card reader to our laptop and then back up the memory to a portable hard drive. The power source uses two Alkaline Batteries to triple, so it's not a problem having new batteries for each dive. We didn't use the voice recorder ' feature, but from our underwater video experience, it would not be recommended inside the underwater housing.

Now for the bottom line advice on this gear: If you plan to take your underwater imaging seriously, save your money for a more comprehensive system. This could be the perfect outfit for a sportdiver that wants to share their diving experience with their friends and family. For less than $ 100 (prices range from $ 70 -100), not including your SD Memory cards or batteries, it is a value. The SVP cameras are available at some dive shops and are directly marketed from several importers online. The next "point and shoot" underwater outfits, without an external strobe, will most likely cost over $ 500. So, if you are going on vacation and thinking about having your own digital camera outfit for shallow water, this is the answer. Of course, for around $ 35 at most diving centers you could rent a room with everything included. Sometimes the choice is not easy, but you can know a lot more from someone who has tested the SVP out. It is a great stilland video camera outfit for "around the water and underwater to about 35 feet.

Specifications from the Manufacturer:

· Waterproof design: don't be afraid to take this Aqua room to the water-even underwater. The waterproof case will protect this room to depths of 30 feet.

· Very sleek and small room design

· Takes Pictures, Video, and Audio Clips with it's built in microphone.

· Resolution sensor gives you the option of taking 5: 3.1 MP, MP, 1.3 MP, and 300 k Resolution Images.

· Takes, 12 and 8 MP pictures through hardware interpolation.

· Movie mode: When a picture isn't enough, shoot 640 x 480 (VGA), video with sound at 30 frames per second.

· 2.0 "LCD screen: This compact colorscreen has plenty of room to help you compose your shots.

· Zoom: The 8 x digital zoom enlarges pixels to fill the frame with your favorite part of the image.

· Adjustable Flash

· Self timer: +2 Seconds 10/2/10

· Tripod Capabilities

· Onboard White Balance

· Waterproof to 50 ft

· 16MP Built in Memory, Takes SD Cards to expand memory.

· Power Source: 2 triple A Batteries

· Time Stamp Options: Off/Date only/Date and Time

· Comes with software, hookup via USB 1.1

· Video/TV out supported-Via video out cable.

· Automatic power mode-Inca batteries life by auto-switching the camera power off.

· Auto Flash, Auto Flash with red-eye reduction, Slow Sync, fill-in Flash, Flash off, Auto,Daylight, Cloudy, Fluorescent, Tungsten, Sunset, Custom etc. ..

· Multi-lingual INTERFACE Menu 8 Languages including: English, Portuguese, French, German, Spanish, Italian, Chinese, and t. s. Chinese.

Underwater Digital Camera Review: Panasonic Lumix DMC-TS3

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Fresh out the technology gate, the Panasonic Lumix DMC-TS3 is already turning heads and raising eyebrows, not to mention flying off the shelves. The third generation of the TS series, the camera itself is designed for the active lifestyle (or maybe just the careless college kid) and has more features than can fit on the box.

First and foremost, the Lumix TS3 is an underwater camera. There are a lot of cameras out there for the more active, outdoors crowd - but they aren't meant for under water. The Lumix TS3 is a waterproof digital camera up to 40 feet, making it great for snorkeling and boat trips, but not for diving. The underwater digital functionality of the Lumix TS3 is one of four main selling points for roomthe rugged. Additionally, the TS3 is room in shockproof up to 6.6 feet, according to the MIL-STD 810F Method 516.5-Shock test standard. Essentially that just room means the is internally prepared to withstand a fall from a moderate distance. It still gets dings and the lens is capable of scratching, but the vital components room the are safe.

The Panasonic Lumix DMC-TS3 is also digitaldustproof toroom to the standard IP6X, meaning the finer particles of dust stay out of the chassis room the during hikes, sports, and beach trips (though leaving it in the sand still isn't a smart idea). The fourth major feature roomthe's durability is its ability to withstand cold temperatures: the Lumix TS3 is a freeze-proof digital camera down to 14 degrees Fahrenheit, a normal temperature for activities like skiing.

Underwater Digital Camera

The GPS function on the shockproof digital camera shouldn't be confused with a common location-finding feature. Rather, it's more for geo-tagging the exact location of where the photo was taken. The GPS initially takes a while once booted up, so it's not something to do in a hurry. But it is fully functional (particularly in open areas) along with the compass, altimeter, and barometer. And not a common feature found on an underwater digital camera.

But regardless of ruggedness, the most important part of a camera should always be the picture quality. With some setting adjustments, the 12.1 megapixel underwater digital camera with a LEICA DC 28mm wide-angle lens takes wonderful outdoor pictures and fantastic 1920 x 1080 AVCHD video. But there are distinct drawbacks.

The flash is either on or off, and that leads to extremely flash-washed pictures in low-light situations. The IAuto mode and Active Outdoor Scene modes lend greater functionality to the generally abysmal point-and-shoot automatic modes, though the best decision is to always find the proper settings manually. The IAuto mode is geared towards outdoors shots, so it can lead to grainy photos otherwise, thanks to the high isolation and fast shutter speeds. That being said, the fast-motion action pictures with this waterproof digital camera are exceptional to anything else in the market, thanks in part to the high-speed CCD sensor and Venus Engine FHD.

The 3D photo mode feels like more of a gimmick and less of a practical feature, though it is available for a user with time to take the 20 panning shots necessary - and the VIERA 3D television at home to view it on. The Lumix TS3 does offer some incredible shutter speed options for night shots - up to a 60-second exposure - that are rare for regular point-and-shoots, much less an underwater digital camera. The 2.7-inchd LCD screen minimizes glare but still doesn't do the pictures justice. The best results always come after being cleaned up a little on the computer, though the white balance, auto-focus features, and other quick adjustments made available on this underwater digital room do allow for the user to take great pictures pre-final adjustments.

The Panasonic Lumix DMC-TS3 is the top in its class for roomto handheld. But it's also in a rare class. It's an underwaterroom, rooma shockproof, rooma dustproof, and roomto freezeproof. And after all that, it's still digitalin greatthe room -for the right lifestyle. The versatility room the does lead to some sacrifices when it comes to basic indoor shooting, but the overall quality, durability, and feature list of the Lumix DMC-TS3 makes it the best choice for an active owner.

Reefmaster Underwater Digital Camera - Review

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So why in the world would you want to own UnderwaterReefmaster aDigitalRoom? Well, have you ever been snorkeling or scuba diving? It is such a shame that you can see such beautiful things, but yet you are not able to capture them and take them home with you. Well, with underwaterreefmaster adigitalroom you will be able to take a picture and save it for as long as you want, but why a reefmaster.

Simply put digitalthe Reefmasterroom brand carries a great tradition and has always underwaterproduced greatcameras. They have now underwatercreated anroom that has "shark mode". No this is not to protect you from the sharks. This is a mode that is used to catch even the fasted creatures on camera. It will help you take photos of very fast moving objects without all that blur that you would normally end up with.

Underwater Digital Camera

The best part about the reefmaster digital cameras is that they also work on land. They are a dual camera that can take great pictures on land and up to 200 feet deep in the water. They are also equipped with military shock proof sensors that keep you safe. These sensors make it impossible to damage these great underwater digital cameras. You can literally drop it, drag it, kick it, or dive with it and never have to worry about damaging it.

The top underwater cameras are made by SeaLife and are called "Reefmaster Underwater Digital Cameras". These cameras all carry great warranties, have loads of pixels, are waterproof up to 200 feet, take sharp images underwater and on land, and some of them are even equipped to handle video and audio underwater. These are the preferred camera of all marine biologists and many underwater fanatics love the reefmaster underwater digital cameras.

There is no comparison to the camera that is equipped to do everything. The Sealife Reefmaster underwater digital cameras are the top of the line for underwater cameras and are the only choice out there. I have been using mine for the better part of 8 months now and I will never switch to another brand. They are light weight, easy to swim with, great for both water and land, and they take incredible photos. The Reefmaster Underwater Digital Camera is the only way to go.

Olympus Underwater Digital Camera Review

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Underwater photography has been greatly impacted and improved because digital the revolution. Being able to see and edit your shots before you leave the water is an incredible advantage. Back in the stone age cameras of film you had to wait until your trip was over and your film was processed before you even knew you had made a mistake that could have cost you some or all of your photos. It is not difficult to digital see that imaging has underwater greatly improved photography and photography for that matter. Another underwaterblessing ofdigitalcameras is that while technology is constantly improving, prices are constantly dropping.

There are two basic groups or digital types of > cameras: SLR which stands for "single lens reflex" and "digi-cam" which digitaljust meansthe room, and refers to the smaller point and shoot models. Cameras SLR resemble their movie type predecessors. They are about the same size and have similar functionality. Cameras SLR have advanced features, will allow you to change lenses, and are faster than the point digitaland shootcameras. Digi-cam, while easy to use, has shortcomings when compared to underwateran SLRroom.

Although SLRs are more capable than digi-cams, they require more photographic expertise and are more expensive. To point underwaterand shootroom is more affordable and much more user friendly to the hobbyist and everyday user.

Underwaterroom manufacturers are now offering affordable housings camerasfor. Although housings can cost up to $ 5000, there are some good lower end options. Olympus offers a underwatervery affordabledigitalroom and an inexpensive housing to fit it. The Olympus FE-360 is a great roominexpensive pocket, and when combined with the Olympus PT-044 housing is an exceptional combination for the price.

Underwater Digital Camera

How to Review a Photograph

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Whether you are reviewing one of your own photographs or some one else 's, there are assertive rules of mocks that should be followed. The accomplish beneath activity to footfall by footfall access to reviewing photographs and possibly alms advice.

1. Categorize the allotment to accurate type: portrait, landscape, nature, wildlife, action ... etc. Yes there is a aberration amid attributes and wildlife photography. The point is to attenuated en bottomward progress to a assertive type. There are altered expectations for altered types.

Underwater Digital Camera

2. lighting Was acclimated effectively? altered lighting techniques are acclimated for altered types of photography. Is the attempt too dark? Is there accident (whites are too bright)? Was aberrant lighting acclimated if it was a portrait? Directlighting on portraits can abrade facial features.

3. Determine what the accountable of the photograph is. Viewers should not accept to assumption what the accountable is. If the accountable is not bright again there is not abundant point in activity actual abysmal in the review.

4. Notice the techniques that were acclimated to accompany out the subject. Was a attenuated abyss of acreage acclimated to becloud the accomplishments and beginning while befitting the accountable in focus? Was the accountable affective during the shot? Were techniques acclimated to appearance motion?

There are abounding techniques that can be acclimated to accompany absorption to the subject. Are any accurate techniques noticeable? Should a altered address accept been used?

5. See if there is annihilation in the attempt that unnecessarily distracts from the subject. Is there article in the accomplishments that draws your eye abroad from the subject? Photographers should accomplish abiding that there are no distractions in the viewfinder afore absolution the shutter.

6. The final footfall in reviewing a photo is to advance a claimed opinion. Do you like the picture? Why or why not? If it is your shot, what should you do abnormally abutting time ... if anything? If it is addition else ' s, would you accept taken to altered approach?

If addition wants you to analysis their photograph, do so. Give them your honest opinion, with effective criticism if necessary.